Video Editing Services

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What We Do

You have the footage. Getting it published is the part that keeps slipping

Most companies do not have a shooting problem. They have a hard drive with nine months of unedited material on it and nobody with a free afternoon.

Web Designs Alchemy edits video for brands across the USA. Send the raw files and get back a finished cut, graded, captioned and sized for wherever it is going. We work per video or on a monthly retainer, and the retainer is where most clients end up once they see how much they were not publishing.

  • Research with your actual customers, not assumptions
  • Strategy written down, not left in a workshop
  • Words and visuals delivered together
  • Rollout plan so it survives contact with your team
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We will tell you when something needs reshooting rather than rescuing

Editing fixes pacing, structure, colour and sound within limits. It does not fix audio recorded next to an air conditioning unit, or a shot that is soft because focus was missed. Plenty of editors will spend eight billable hours making that footage slightly less bad. We would rather watch your files first, tell you honestly what can be saved, and let you decide whether a reshoot is cheaper than the rescue. That call costs you nothing.

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Scope

What happens to your footage

Six passes on every cut, whether it is a 40 minute podcast or a 15 second clip.

Assembly and pacing

The cut itself. Dead air, repeated takes and the throat clearing all go, and the story gets an order that holds attention past the first ten seconds.

Colour grading

Colour grading services covering exposure, white balance and a consistent look across clips shot on different days, cameras or phones.

Audio cleanup

Room noise reduced, levels matched between speakers, music ducked under dialogue and the whole mix checked on a phone speaker rather than headphones.

Captions and subtitles

Video subtitling and captioning services with burned in captions for social and a separate subtitle file for your site and YouTube, both proofread by a person.

Titles and graphics

Lower thirds, name plates, section titles and end cards built from your brand colours and type so every video looks like it came from the same company.

Formats and cutdowns

Widescreen master plus vertical and square versions, exported at the right bitrate for each platform instead of one file uploaded everywhere.
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Use Cases

Where the finished cuts end up

Pick the closest to your situation and we will quote against it.

Most booked

Weekly channel

A publishing schedule you can actually keep, with a monthly video editing retainer covering a fixed number of cuts.

Social

Clip programmes

Social media video editing services turning one long recording into a month of short posts across every platform.

Sales

Customer proof

Interview footage cut into testimonials for your website, sales decks and paid campaigns.

Ecommerce

Product content

Video editing for ecommerce product pages, where a short looping clip outperforms a static gallery.

Property

Listings and tours

Real estate video editing services for walkthroughs, drone footage and area guides, cut to a consistent template per listing.

Campaigns

Launch sets

Video post production services for a campaign, delivering a hero cut plus every derivative on the same schedule.

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How it runs

Upload on Monday, published by Thursday

Three business days as standard, two on a retainer.

Stage 1

Upload

Drop your files in a shared folder we set up. No size limits and no compressing footage before you send it.
Stage 2

Brief

A short form or a five minute call. Length, tone, where it is going and anything that must stay in or come out.
Stage 3

First cut

You get a timestamped review link. Comment on the video itself instead of writing an email full of timecodes.
Stage 4

Revisions

Two rounds included. Most cuts need one, and retainer clients usually stop needing any after the first month.
Stage

Delivery

Final files in every ratio, subtitle files, thumbnails if you want them, and your raw footage held for 90 days.

Turn Search Traffic Into Measurable Business Growth

0 days

Standard turnaround, 48 hours
on retainer

0 rounds

Revisions included
on every cut

0 ratios

Widescreen, vertical and square

0 days

Your raw footage kept and
backed up

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Questions

Questions companies ask before committing to a rebrand

How much does video editing cost?

From $450 for a single cut up to 10 minutes finished, or $2,400 a month for eight cuts on a retainer, which works out cheaper per video. Campaign work with advanced grading and custom graphics starts at $6,000. The number moves with how much raw footage there is to watch, not just the finished length.

We set up a shared folder and you drag the files in. No size cap, no compressing first, and no emailing WeTransfer links that expire before anyone opens them. A day of multicamera footage is normal for us.

Three business days from the point we have all the footage and the brief. Retainer clients get 48 hours. The clock starts when the last file lands, so partial uploads are the usual reason a delivery slips.

We watch everything before quoting and tell you what can be fixed and what cannot. Wind noise, missed focus and heavily clipped audio have real limits. You get an honest read rather than an invoice for eight hours of rescue work that leaves it still looking rough.

Backed up for 90 days after delivery, then deleted unless you ask us to hold it longer. Retainer clients get rolling storage for the length of the engagement. The files are yours and we return them on request at any point.

Can you match our existing style?

Yes. Send two or three videos you already like and we will match the pacing, titling and grade. On a retainer we build a template in month one so everything after that is consistent without you having to ask.

Neither. We edit what you send. If a project needs filming we will recommend a crew we trust, and if it needs animating rather than filming, that is a different service we do offer.

You do, along with the project file if you ask for it. Music licences are the one thing passed to you as a licence rather than ownership, and we tell you which track carries which terms.

Two roll over into the following month. Beyond that they expire, because an editor's month is capacity we have already held for you. We will flag it at week three if you are running under.